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Bride of Chucky
Directed by Hong Kong's Ronny Yu The Bride With White Hair, Warriors Of Virtue , Bride Of Chucky is a trippy, wigged-out return to an era in which horror films concentrated more on manufacturing colorful, franchisable villains than impressing audiences with witty, self-referential dialogue or smarmy post-modernism. Which is not to say that Bride Of Chucky isn't smarmy or self-referential in its own right. It is, in fact, packed with allusions to other horror films and scenes like the one in which Chucky explains to the film's bland cute-teen protagonists Nick Stabile and Katherine Heigl that if his story were a film, it would be so complicated that it would require at least three or four sequels.
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Bride of Chucky is a American comedy slasher filmthe fourth installment of the Child's Play franchise and sequel to 's Child's Play 3. Unlike the first three Child's Play films, this film takes a markedly humorous turn and often into self-referential parody. It does not continue on with the concept of a child victim in possession of the doll, thus the absence of Child's Play in the title.
It is the fourth entry in the Child's Play series. It was released in the United States on October 16, Bride of Chucky marks the point where the series takes a more humorous turn, often into self-referential parody. Thus the change from the Child's Play in the title. Contrary to the previous three films, the violence in Bride of Chucky is punctuated by humour to deflate the macabre visuals. The film follows the events of the previous films continuity-wise, but not tonally or in a continuation of those film's overall plot where Chucky pursued the main protagonist Andy Barclay. This film also marks Chucky's new permanent look, a more frightening appearance in which he was covered in scars and stitches following his fate a month after Child's Play 3.
Post a Comment. Saturday, April 23, Bride of Chucky Bride of Chucky Anyone notice that the poster is a rip-off of Scream 2 's poster? After the great horror wasteland that was the mid s, Scream proved that horror films could be successful again. However, as Scream was basically a meta-slasher film with more comedy than terror, studios were still playing it somewhat safe.